For the sake of women everywhere, Ms Shibata is going to pull off the mother of all deceptions... 'Incredibly thought-provoking... you'll love Yagi's writing' STYLIST Ms Shibata refuses to clear away the coffee at work one day, because she's pregnant and can't bear the smell. The only thing is . . . Ms Shibata is not pregnant. Being a mother-to-be isn't easy. Ms Shibata has a nine-month ruse to keep up. Before long, it becomes all-absorbing, and with the help of towel-stuffed shirts and a diary app that tracks every stage of her 'pregnancy', the boundary between her lie and her life begins to dissolve. Discover this prizewinning, thrillingly subversive new novel that's perfect for fans of Convenience Store Woman and Breasts and Eggs. 'A subversive, surreal read that will strike a cord' RED 'One of the most passionate cases I've ever read for female interiority, for women's creative pulse and rich inner life' NEW YORKER Translated from the Japanese by David Boyd and Lucy North

National Book Critics Circle Award Finalist ‘Mieko Kawakami is a genius’ - Naoise Dolan, author of Exciting Times From international literary sensation Mieko Kawakami comes All the Lovers in the Night, an extraordinary, deeply moving and insightful story set in contemporary Tokyo. Fuyuko Irie is a freelance proofreader in her thirties. Living alone and unable to form meaningful relationships, she has little contact with anyone other than her colleagues. But a chance encounter with a man named Mitsutsuka awakens something new in her. As Fuyuko starts to see the world in a different light, painful memories from her past begin to resurface. Fuyuko needs to be loved, to be heard and to be seen. But living in a small world of her own making, will she find the strength to bring down the walls that surround her? Pulsing and poetic, modern and shocking, this is an unforgettable novel from Japan’s most exciting writer. All the Lovers in the Night is translated from the Japanese by Sam Bett and David Boyd.

On a hot summer’s day in a poor suburb of Tokyo we meet three women: thirty-year-old Natsuko, her older sister Makiko, and Makiko’s teenage daughter Midoriko. Makiko, an ageing hostess despairing the loss of her looks, has travelled to Tokyo in search of breast enhancement surgery. She's accompanied by Midoriko, who has recently stopped speaking, finding herself unable to deal with her own changing body and her mother’s self-obsession. Her silence dominates Natsuko’s rundown apartment, providing a catalyst for each woman to grapple with their own anxieties and their relationships with one another.

Eight years later, we meet Natsuko again. She is now a writer and find herself on a journey back to her native city, returning to memories of that summer and her family’s past as she faces her own uncertain future.

In Breasts and Eggs Mieko Kawakami paints a radical and intimate portrait of contemporary working class womanhood in Japan, recounting the heartbreaking journeys of three women in a society where the odds are stacked against them. This is an unforgettable full length English language debut from a major new international talent.

Shortlisted for the International Booker Prize 2022 From the bestselling author of Breasts and Eggs and international literary sensation Mieko Kawakami comes a sharp and illuminating novel about a fourteen-year-old boy subjected to relentless bullying. In Heaven, a fourteen-year-old boy is tormented for having a lazy eye. Instead of resisting, he chooses to suffer in silence. The only person who understands what he is going through is a female classmate, Kojima, who experiences similar treatment at the hands of her bullies. Providing each other with immeasurable consolation at a time in their lives when they need it most, the two young friends grow closer than ever. But what, ultimately, is the nature of a friendship when your shared bond is terror? Unflinching yet tender, sharply observed, intimate and multi-layered, this simple yet profound novel stands as yet another dazzling testament to Mieko Kawakami's uncontainable talent. There can be little doubt that it has cemented her reputation as one of the most important young authors at work today. TIME's 100 Must-Read Books of 2021. 'Mieko Kawakami is a genius' - Naoise Dolan, author of Exciting Times 'An expertly told, deeply unsettling tale of adolescent violence' - Vogue Translated from the Japanese by Sam Bett and David Boyd.

Discover this prizewinning, thrillingly subversive new novel that's perfect for fans of Convenience Store Woman and Breasts and Eggs. 'One of the most intriguing new novels of the summer,' Independent For the sake of women everywhere, Ms Shibata is going to pull off the mother of all deceptions... As the only woman in her office, Ms Shibata is expected to do all the menial tasks. One day she announces that she can't clear away her coworkers' dirty cups - because she's pregnant and the smell nauseates her. The only thing is . . . Ms Shibata is not pregnant. Pregnant Ms Shibata doesn't have to serve coffee to anyone. Pregnant Ms Shibata isn't forced to work overtime. Pregnant Ms Shibata can rest, watch TV, take long baths, and even join an aerobics class for expectant mothers. But she has a nine-month ruse to keep up. Before long, it becomes all-absorbing, and with the help of towel-stuffed shirts and a diary app that tracks every stage of her 'pregnancy', the boundary between her lie and her life begins to dissolve. Diary of a Void will keep you turning the pages to see just how far Ms Shibata will go. Translated from the Japanese by David Boyd and Lucy North 'Darkly funny and surprisingly tender.' Kirsty Logan, author of Things We Say in the Dark

Over the course of a long and very successful career spanning the first half of the 20th century, Lucy Kemp-Welch established herself as one of the leading equestrian painters at work in the UK and one of the country’s best-known women artists. David Boyd Haycock’s new, extensively illustrated biography of Kemp-Welch brings this remarkable artist and her work back into sharp focus.   Born in 1869, Kemp-Welch first came to the art establishment’s attention in 1897 when her immense painting, Colt Hunting in the New Forest, caused a sensation at the Royal Academy’s Summer Exhibition; the work was bought for the Nation by the Chantry Bequest in the year of exhibition. In 1915, she illustrated Anna Sewell’s Black Beauty, and was commissioned to paint images for the Government during the First World War. Later, the mural Women’s Work in the Great War, was placed in the Royal Exchange in London, where it remains to this day. Respected art writer and curator Boyd-Haycock shines new light on Kemp-Welch’s life, writing from a 21st-century perspective and reflecting on her as a female painter in a male-dominated environment. Alongside Kemp-Welch’s paintings, the book will feature exclusive period photographs of the artist herself, shown at work and in her studio.

'Mieko Kawakami is a genius' - Naoise Dolan, author of Exciting Times 'Compact and supple, it's a strikingly intelligent feat.' - The New York Times Book Review From international literary sensation Mieko Kawakami comes All The Lovers In The Night, an extraordinary, deeply moving and insightful story set in contemporary Tokyo. Fuyuko Irie is a freelance proofreader in her thirties. Living alone, and unable to form meaningful relationships, she has little contact with anyone other than Hijiri, someone she works with. When she sees her reflection, she's confronted with a tired and spiritless woman who has failed to take control of her own life. Her one source of solace: light. Every Christmas Eve, Fuyuko heads out to catch a glimpse of the lights that fill the Tokyo night. But it is a chance encounter with a man named Mitsutsuka that awakens something new in her. And so her life begins to change. As Fuyuko starts to see the world in a different light, painful memories from her past begin to resurface. Fuyuko needs to be loved, to be heard, and to be seen. But living in a small world of her own making, will she find the strength to bring down the walls that surround her? All The Lovers In The Night is acute and insightful, entertaining and captivating, pulsing and poetic, modern and shocking. It's another unforgettable novel from Japan's most exciting writer. Translated from the Japanese by Sam Bett and David Boyd.

A UK debut from a fresh, prize-winning talent, this quietly surreal novel is perfect for fans of Sayaka Murata and Mieko Kawakami Two friends meet across three dinners. In the back room of a pet shop, they snack on dried shrimps and discuss fish-breeding. In a remote new home in the mountains, they look for a solution to a weasel infestation. During a dinner party in a blizzard, a mounting claustrophobia makes way for uneasy dreams. Their conversations often take them in surprising directions, but when one of the men becomes a father, more and more is left unsaid. With emotional acuity and a wry humour, Weasels in the Attic it is an uncanny and striking reflection on fertility, masculinity, and marriage in contemporary Japan.

Clients have been identified as critical for building delivery but have been under-researched with only a few studies about them. This book seeks to address this gap. A deeper look into the nature of construction clients and their relation to building users exposes more fundamental questions related to the activity of building and the activity in the building. These fundamental questions include 'How do clients get what they want?', 'How do clients cope with the building process?', and 'How are clients being shaped by building(s)?'. This book on clients and users is structured around three main themes: Agency is concerned with the classical agency/structure dichotomy on actions, roles and responsibilities or, put differently, whether actors can act freely or are bound by structural constraints. Governance is related to the interplay between clients and the supply system: clients govern the supply system but are at the same time governed by the supply system through different processes and mechanisms. Innovation deals with construction innovation and what part clients and users play in this struggle between change and stability. The book includes theoretical and conceptual frameworks on what constitutes clients and users as well as case studies on R&D themes of relevance to practice.

Clients have been identified as critical for building delivery but have been under-researched with only a few studies about them. This book seeks to address this gap. A deeper look into the nature of construction clients and their relation to building users exposes more fundamental questions related to the activity of building and the activity in the building. These fundamental questions include 'How do clients get what they want?', 'How do clients cope with the building process?', and 'How are clients being shaped by building(s)?'. This book on clients and users is structured around three main themes: Agency is concerned with the classical agency/structure dichotomy on actions, roles and responsibilities or, put differently, whether actors can act freely or are bound by structural constraints. Governance is related to the interplay between clients and the supply system: clients govern the supply system but are at the same time governed by the supply system through different processes and mechanisms. Innovation deals with construction innovation and what part clients and users play in this struggle between change and stability. The book includes theoretical and conceptual frameworks on what constitutes clients and users as well as case studies on R&D themes of relevance to practice.

A Publishers Weekly Best Picture Book of 2020 A Kirkus Best Book of 2020 A Shelf Awareness Best Children's Book of 2020 Best Illustrator Award, 2021 Northern Lights Book Awards Poetic and sparse, a bedtime story told by the elements. Gentle and lyrical, Every Color of Light is a bedtime story told by the elements. Every Color of Light opens on a lush, green forest in the rain. Illustrated by the masterful Ryoji Arai, the calm is shattered when the wind picks up and lightning cuts the sky. Yet out of this turbulence, the day blooms bright, the flowers open, and raindrops roll and drip down to the forest floor. The sun sets. The moon rises, and in a pool of water we see its reflection. We go to sleep with the forest, sinking into the pool, into the calm reflection of the moon. Harmonizing our human experience to the natural world, Arai invites the reader to hold imaginative space for our oneness with the natural world.

Asa's husband is transferring jobs, and his new office is located near his family's home in the countryside. During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time. One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole-a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.

The English-language debut of one of Japan's most exciting new writers, The Factory follows three workers at a sprawling industrial factory. Each worker focuses intently on the specific task they've been assigned: one shreds paper, one proofreads documents, and another studies the moss growing all over the expansive grounds. But their lives slowly become governed by their work-days take on a strange logic and momentum, and little by little, the margins of reality seem to be dissolving: Where does the factory end and the rest of the world begin? What's going on with the strange animals here? And after a while-it could be weeks or years-the three workers struggle to answer the most basic question: What am I doing here? With hints of Kafka and unexpected moments of creeping humor, The Factory casts a vivid-and sometimes surreal-portrait of the absurdity and meaninglessness of the modern workplace.

Dring-dring! With the distinctive sound of their bicycle bells, Chirri and Chirra are off on another whimsical adventure. In this new installment of the beloved series, the twins brave a rainy day together...after all, stormy weather is no match for their boundless energy and curiosity. The pair happens upon a cafe that is only open on rainy days, and they sip tea with a side of sweet rock candy as they watch the droplets fall. They continue their journey, only to discover that the rain is now falling upside-down, their bicycles suspended on the droplets as they ride along. For these winsome twins, the world is a haven of endless discovery, of wonderful oddities, of adventure and excitement without danger. Kaya Doi's illustrations, rendered in glowing colored pencil, are warm and inviting for readers, ushering them into the pages like a safe haven from the rain outside.

Considered by John Singer Sargent to be the best British draughtsman since the Renaissance, Augustus John was the first of the British ‘Post-Impressionists’. Such was his importance that Virginia Woolf declared in 1921 that by 1908 ‘The age of Augustus John was dawning,’ and Wyndham Lewis would dub the ten years leading up to 1914 ‘the Augustan decade. Handsome, unconventional and full of brilliant promise and Bohemian spirit, John was the man almost every young British art student wanted to emulate. This book reveals why, telling his extraordinary story from his birth in south Wales in 1878 through to the end of his youth in the closing stages of the First World War. Interweaving his biography are the personalities who surrounded John, and the book looks at their influence on him, and his upon them. They include his fellow students at the Slade School of Art – his sister Gwen John and future wife Ida Nettleship, and his friends William Orpen, Ambrose McEvoy, Spencer Gore and Percy Wyndham Lewis – all of whom would become prominent artists in their own right. This book is a long overdue, new interpretation of this singular figure, who was both at the heart of the British artistic milieu, and yet set apart from its movements and manifestos.

Existing in myriad forms, containing multitudes in its reflection, and coursing through each and every one of us, water sustains the world around us-and life itself.A USBBY Outstanding International Book of 2022 Selected by the New York Post as a 2022 Book to Buy for Everyone on Your Gift List Artist Ryoji Arai and poet Hiroshi Osada, the Japanese team behind critically acclaimed Every Color of Light, offer up another meditation on the natural world in this ode to water. A lyrical moment between parent and child in a boat on a river unfolds into an examination of the water that surrounds them, and the nature and life sustained by it: "It's only oxygen and hydrogen. Simple as could be, and yet nothing means more to life as we know it." Arai's lush art and Osada's evocative poetry, beautifully translated from Japanese by David Boyd, work together to enchant readers and refresh their spirit, opening their eyes to the wonders of water, the universe, and life.

'I Am Spain' focuses on the experiences of an interconnected group of individuals - some famous, others largely unkown - to tell the story of the Spanish Civil War.

'I Am Spain' focuses on the experiences of an interconnected group of individuals - some famous, others largely unkown - to tell the story of the Spanish Civil War.

In the first three decades of the 20th century Augustus John (1878-1961) was widely considered one of the greatest living British artists, famous almost as much for his extraordinary Bohemian lifestyle as for his outstanding portraits, etchings and drawings. John was born in Wales in 1878 and educated at the Slade School of Art in London in the 1890s, where the onus of teaching was on the daily life class and a close study of the Old Masters. He soon emerged as a wonderfully gifted draughtsman - indeed, the American painter John Singer Sargent would declare that John's youthful drawings were amongst the fi nest seen since the Renaissance. Dividing his life between England, Wales and France, and reaching his prime in the years immediately before the outbreak of the Great War, by 1910 John would be likened to a British Gauguin, a Welsh Post-Impressionist using bold colours and a willfully naive and primitive style to explore the complex combination of romanticism, escapism and alienation engendered by 20th-century life. The great American collector John Quinn considered John and his sister Gwen key European artists, and his work would be included in the infl uential Armory Show in New York in 1913. After the War he would become Britain's leading society portraitist, earning a fortune in commissions - though it was his more personal paintings of friends, lovers, family and fellow artists and writers such as W.B. Yeats, T.E. Lawrence, Dylan Thomas, Ottoline Morrell and his muse/ mistress Dorelia McNeill that best revealed his great talents. Published to coincide with exhibitions at Poole Museum in Dorset in the summer of 2018 and at Salisbury Museum in Wiltshire in the summer of 2019, Augustus John: Drawn from Life re-examines the life and work of this signifi cant but increasingly overlooked British artist. Focusing on around sixty works drawn from private and public collections, including the Tate, the National Portrait Gallery and the National Museum of Wales, the book will off er new insights into John's life and development as an artist from the late 1890s to the outbreak of the Second World War.